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On the screen but outside the box

(2 posts)
  1. Hi everyone,

    I went to see District-9. I won't go around and talk about the movie as it's still a new release, too early for the spoilers. However, I'll talk about one screenwriting feature that kept me thinking.

    One can tell a story in many different ways. In District-9, it's done as a documentary. That's quite ambitious for a feature that can easily fit into the 'blockbuster' style when it comes to funding and producing-directing heads. Producer: Peter Jackson, director: Neill Blomkamp. Peter Jackson was enough of a sale argument to me but the concept of the movie, well, that was more than I needed to buy, run and watch.

    The documentary format, for a story, it seems to work for 'The Office' and it works for 'District-9'. So when does one decide to write in this format? Right at the beginning or at the end, when the story's alright but something's missing: 'hey let's try it another way!'

    What do you think?

    Posted 6 months ago #
  2. Aurelien,

    It probably helps to write it that way when it's a subject we don't know a whole lot about or haven't been exposed to.

    That's not to say that you couldn't do the same thing for subject matters we have been exposed to but to my mind, this certainly helps justify writing it in this way.

    Unk

    Posted 5 months ago #

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